English Refresher

C1 Advanced · Grammar

Cleft Sentences

How advanced speakers split one idea into two clauses to control emphasis, manage information, and sound genuinely fluent.

Level: C1 Focus: Emphasis & Information Structure Interactive: 10 scored questions

What a cleft sentence does

A cleft ("cleft" = divided) takes a single clause and breaks it into two, so that one piece of information is pushed into focus. The grammar is a tool for emphasis and contrast — not for adding new facts.

Compare a plain statement with its clefted versions. The facts are identical; only the spotlight moves. Plain: My brother broke the window on Friday. Cleft (focus on the doer): It was my brother who broke the window on Friday. Cleft (focus on the time): It was on Friday that my brother broke the window.

Neutral sentence
We need better communication.
Clefted — emphatic
What we need is better communication.

Why C1 learners need this: Clefts are everywhere in academic writing, debate, and natural speech. They let a speaker correct a wrong assumption ("Actually, it was the manager who approved it"), build suspense, and structure an argument. Using them well is one of the clearest markers separating B2 from C1.

The main types of cleft

Five patterns cover almost everything you will need. Master the first two first — they are by far the most frequent.

1

It-cleft

It + be + focus + relative clause (that / who)
It was Maria who solved the problem. → emphasizes the person
It was in 2019 that the company collapsed. → emphasizes the time
It isn't the money that bothers me, it's the principle. → contrast / correction

Use it to: single out one element (subject, object, time, place) and often to correct or contrast. The verb be is normally was/is; use who for people, that for everything (and even for people in less formal style).

2

Wh-cleft (pseudo-cleft)

What-clause + be + focus
What I need is a long holiday. → focus at the end
What annoys me is people who arrive late. → focus on a whole idea
What he did was (to) cancel the whole project. → emphasizes an action

Use it to: build up to the key information, which lands at the end. To emphasize an action, use What + subject + do + (to-)infinitive: "What she did was call the police."

3

Reversed wh-cleft

Focus + be + what-clause
A long holiday is what I need.
Trust is what this team is missing.

Use it to: front the focus instead. Same meaning as the wh-cleft, but it sounds more conversational and is common when responding to a previous point.

4

All-cleft

All (that) + clause + be + focus
All I want is a quiet life. → "the only thing"
All you have to do is sign here.

Use it to: signal "nothing more than this." All means the only thing, so it adds a sense of limitation or simplicity.

5

Other focusing clefts

The thing / The reason / The place + (that) + clause + be + focus
The reason (why) I called was to apologize.
The thing that worries me is the deadline.
The place where we met was a tiny café in Prague.

Use it to: emphasize a reason, a thing, a place, or a person (The person who…). These are a flexible, natural alternative to the what-cleft.

Common C1 pitfalls

These are the mistakes that stop a clefted sentence from sounding native. Watch for them in your own writing.

It is because of you that I came late.  →  fine, but learners often drop that: It is because of you I came late is weaker. Keep that.
What I need are a holiday.  →  What I need is a holiday. The verb agrees with the singular what-clause, not the focus.
It was me who broke it (very informal)  →  It was I who broke it is formal; It was me that… is the natural spoken form.
What he did was cancelled the project.  →  What he did was cancel / to cancel the project. Use the bare or to-infinitive after was.
It was John who he fixed the car.  →  It was John who fixed the car. Don't repeat the subject inside the relative clause.

Practice & score yourself

Ten questions across three formats. You get instant scoring and a full explanation for every answer — especially when you get one wrong.

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Answer a question to begin.

Part A — Choose the best cleft

Teaching techniques for this point

Approaches that work well in a B2–C1 classroom. Each moves students from recognition to confident production.

01

The "spotlight" demonstration

Write one neutral sentence on the board and physically move a paper spotlight (or your hand) over each element — subject, object, time, place. For each position, elicit the matching cleft. Students see that clefting is purely about where the light shines, not new content.

02

Correction drills

Feed students deliberately false statements ("So, you said Anna wrote the report?"). They must defend the truth with an it-cleft: "No, it was Tom who wrote it." This anchors clefts to their most natural function — contrast and correction — and is highly communicative.

03

Sentence transformation races

In teams, students race to rewrite a plain sentence in as many cleft types as possible (it-cleft, wh-cleft, all-cleft…). Points for accuracy and variety. This builds flexibility and shows that the same idea has several emphatic packagings.

04

Guided discovery from a text

Give an authentic opinion article or TED transcript and have students highlight every cleft. They then categorize each and discuss why the writer chose emphasis there. Discovery beats rules: learners infer the pattern themselves, which improves retention.

05

Intonation & stress work

Clefts carry strong nuclear stress on the focused element. Drill minimal pairs aloud — "It was SHE who called" vs. "It was she who CALLED" — so students hear how stress and structure cooperate to signal focus. Pronunciation makes clefts sound real.

06

Personalized writing task

Ask students to write a short "what really matters to me" paragraph using at least four cleft types ("What I value most is…", "It's my family that…", "All I really want is…"). Personal content makes the structure memorable and gives you authentic output to assess.

The one rule to remember

A cleft never adds information — it repackages it. Decide which word you want to spotlight, then choose the structure that puts it center stage. Master that instinct and your English moves firmly into C1 territory.